Books in Everyman's Library Classics Series series

Charles Dickens had an understanding of mid-Victorian society second to none, and genius and energy massive enough to make the absurdities and terrors of that society come alive on the page. Nicholas Nickleby, with its episodes of chicanery in finance and education, and the dramatic intensity with which it tells the story of its openhearted young protagonist and its frightening villain, the magnificently rendered Ralph Nickleby, represents Dickens at his clear-eyed, indignant, and mesmerizing best. When Nicholas Nickleby is left penniless by the death of his father, he appeals to his Uncle Ralph to help him and his mother and sister. But Ralph conceives a violent hatred of the young man, and his schemes of persecution haunt Nicholas through a series of picaresque adventures, including a job as a tutor at a horrific school for unwanted boys run by the cruel Wackford Squeers and a stint as a member of the eccentric Crummles family theater troupe. Without shying away from the grimmer aspects of the world Nicholas encounters on his path to eventual happiness, the story remains one of Dickens’s most high-spirited and exuberant. This edition reprints the original Everyman preface by G. K. Chesterton and includes thirty-nine illustrations by Phiz.

Three of George MacDonald Fraser’s incomparable and hilarious novels featuring the lovable rogue, soldier, cheat, and coward: Harry Paget Flashman.Praised by everyone from John Updike to Jane Smiley, Fraser was an acknowledged master of comedy and satire, an unrivaled storyteller, whose craft was matched only by his impeccable historical research. And his greatest creation was, of course, Flashman. The novels collected here find our hero in the midst of his usual swashbuckling adventures of derring-do: fleeing adversaries in the First Anglo-Afghan War; meeting and nearly deceiving a young Abraham Lincoln in America; alternately impersonating a native Indian cavalry recruit and wooing women in India; and managing, whatever the circumstances, to keep his hero’s reputation unsullied.A must-have treat for the legions of dedicated Flashman fans, and a delightful introduction for those lucky enough to be encountering him for the first time.

"The problem of the twentieth century is the problem of the color line." Thus speaks W.E.B. Du Bois in The Souls Of Black Folk, one of the most prophetic and influental works in American literature. In this eloquent collection of essays, first published in 1903, Du Bois dares as no one has before to describe the magnitude of American racism and demand an end to it. He draws on his own life for illustration, from his early experiences teaching in the hills of Tennessee to the death of his infant son and his historic break with the conciliatory position of Booker T. Washington.Far ahead of its time, The Souls Of Black Folk both anticipated and inspired much of the black conciousness and activism of the 1960's and is a classic in the literature of civil rights. The elegance of DuBois's prose and the passion of his message are as crucial today as they were upon the book's first publication.Introduction by Arnold Rampersad(Book Jacket Status: Not Jacketed)

This charming volume brings back into print some of the finest illustrated children's books from the Arts and Crafts Movement: Kate Greenaway's much-loved alphabet book, A Apple Pie, along with a selection of her illustrated nursery rhymes.Greenaway's drawings conjure up a never-never land of rural simplicity and innocence–an escape from the squalor of Victorian cities–that is as delightful now as it was when these gems of children's literature first appeared in the 1880s.

Joseph Conrad possessed a matchless gift for embodying life as it is lived under extreme physical and psychological pressure. Victory, his last masterpiece, tells the story of Axel Heyst, a radically isolated, philosophically minded soul living apart on a remote Pacific island, who performs two acts of instinctive kindness and thereby embroils himself in storms of greed and vengeance, and of love and mercy. When Heyst impulsively rescues a young English musician, Lena, from the predations of a lascivious hotel owner named Schomberg, he cannot know that she will be the means of releasing him from the emotional detachment with which he has long barricaded himself. Their affair does not last long, however, once the enraged Schomberg sends agents of revenge to invade Heyst’s island retreat. Out of the maelstrom of violence and tragedy that ensues, Conrad produces a profound, unflinching meditation on human connection and redemption.

"A sonnet is a moment's monument," said Dante Gabriel Rossetti in a sonnet about sonnets.The sonnets in this collection—whether they capture moments of perception, recognition, despair, or celebration—reveal how great an amount of feeling, insight, and experience can be concentrated into a mere fourteen lines.Here are classics such as Milton's "On His Blindness," Yeats's "Leda and the Swan," and Frost's "The Oven Bird," juxtaposed with the mischievous wit of Rupert Brooke's "Sonnet Reversed," the lyric defiance of Mona Van Duyn's "Caring for Surfaces," and the comic poignancy of Philip Larkin's "To Failure." From the lovelorn laments of Dante and Petrarch to the artful heights of Sidney, Spenser, and Shakespeare, from the masterpieces of Wordsworth and Keats to the innovations of Elizabeth Bishop, Wallace Stevens, and James Merrill, the sonnet has proved both versatile and enduring. This delightful anthology displays the incredible range and power of the verse form that has inspired poets across the centuries.

One of the most successful and beloved of Victorian fairy tales, George Macdonald’s The Princess and the Goblin tells the story of young Princess Irene and her friend Curdie, who must outwit the threatening goblins who live in caves beneath her mountain home. Macdonald’s pioneering use of fanstasy as a literary medium had a great influence on Lewis Carroll, J. R. R. Tolkien, and Madeleine L’Engle, all great admirers of his work, which has remained popular to this day. "I write, not for children," he wrote, "but for the child-like, whether they be of five, or fifty, or seventy-five."This edition includes illustrations by Arthur Hughes.

Robert Browning’s famous verse retelling of the medieval legend of the Pied Piper is renowned for its humor and vivid wordplay. When the selfish townspeople of Hamelin refuse to pay the piper for spiriting away the hordes of rats that had plagued them, he exacts his revenge by luring away their greatest treasure, the children of the town.Color reproductions of Kate Greenaway’s beautiful, delicate watercolor illustrations adorn every page.

The story of the English folk hero and medieval outlaw Robin Hood who as legend would have it lived in the days of Richard the Lionheart and Prince John and, with his band of merry men, fought injustice and tyranny. This retelling of the stories, first published in 1956, has become an acknowledged classic: a literary mosaic in which Roger Lancelyn Green has brought together material from the old ballads, romances and plays, as well as retellings of Noyes, Tennyson, Peacock and Scott. “For Robin Hood’s is a story that can never die,” he wrote, “nor cease to fire the imagination. Like the old fairy tales it must be told and told again — for like them it is touched with enchantment...”

Edwin Arlington Robinson (1869-1935) a three-time winner of the Pulitzer Prize, was the first of the great American modernist poets."No poet ever understood loneliness and separateness better than Robinson," James Dickey has observed. Robinson's lyric poems illuminate the hearts and minds of the most unlikely subjects—the downtrodden, the bereft, and the misunderstood. Even while writing in meter and rhyme, he used everyday language with unprecedented power, wit, and sensitivity. With his keen understanding of ordinary people and a gift for harnessing the rhythms of conversational speech, Robinson created the vivid character portraits for which he is best known, among them "Aunt Imogen," "Isaac and Archibald," "Miniver Cheevy," and "Richard Cory." Most of his poems are set in the fictive Tilbury Town—based on his boyhood home of Gardiner, Maine—but his work reaches far beyond its particular locality in its focus on struggle and redemption in human experience.